The Philharmonic Hall is in the right. It is a historic structure in Slovak.

It has been reconstructed, and so we couldn't use regretably.

Not to record the sound of tram in front of the hall, it is improved.

The session starts at 9 a.m. So I entered the hall at 8:30 and was surprised.

No one informed me the starting was delayed for 30 minutes. What's this? It's a look at 9:20. ？？？⇒

Members appeared one after another.

They might despise me a little, as in the afternoon session they came quite early
and began to practice.

He is the manager Mr.Pavel HRUBY in the right.

　Now, let me introduce the recording staff.

From left,
my respectable clarinet player Mr. Takuhide MIZUHARA. He is also a supervisor.
The most reliable interpreter Ms.Kinga VALENT.
Producer of Slovak Radio/Mr.Emil NIZNANSKY, engineer/Mr.Hubert GESHWANDTNER.
Recording adviser of NKB, engineer/Mr.Teruo MURAKAMI.

　Well, practice and practice.

No one likes to practice, but once it starts enthusiasm is on the increase.

Everybody playes hard.

　I'm not so good at linguistics, so I repeated the same request anyway.

Is it uncommon?

In the end,
I do the same manner as usual.

　In the meantime, we repeated practice, recording,
and amendment all the first day long and finished.

The next day, we repeated the same way in the morning.

In the afternoon, we recorded "Egmont" first and whole "Pastrale" next.

The last throught performance was so neat one.